Barry Edelstein (Director, Erna Finci Viterbi Artistic Director) is a stage director, producer, author, and educator. His Globe directing credits include The Winter’s Tale, Othello, The Twenty-Seventh Man, the world premiere of Rain, Picasso at the Lapin Agile, Hamlet, the world premiere of The Wanderers, the American premiere of Life After, Romeo and Juliet, and, during the pandemic, Hamlet: On the Radio. He also directed All’s Well That Ends Well as the inaugural production of the Globe for All community tour, and he oversees the Globe’s Classical Directing Fellowship program. In addition to his recent Globe credits, he directed The Tempest with the Los Angeles Philharmonic at Walt Disney Concert Hall in 2018, and he will next direct The Wanderers Off Broadway with Roundabout Theatre Company in 2023. As Director of the Shakespeare Initiative at The Public Theater (2008–2012), Edelstein oversaw all of the company’s Shakespearean productions as well as its educational, community outreach, and artist-training programs. At The Public, he staged the world premiere of The Twenty-Seventh Man, Julius Caesar, The Merchant of Venice, Timon of Athens, and Steve Martin’s WASP and Other Plays. He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. From 1998 to 2003 he was Artistic Director of Classic Stage Company. His book Thinking Shakespeare is the standard text on American Shakespearean acting. He is also the author of Bardisms: Shakespeare for All Occasions. He is a graduate of Tufts University and the University of Oxford, where he studied as a Rhodes Scholar.

Katherine Roth (Costume Design) The Old Globe: Picasso at the Lapin Agile, Rain, The Twenty-Seventh Man, Othello, The Rainmaker, Dracula, Rough Crossing (San Diego Theatre Critics Circle Award). Broadway: Come Fly Away. New York: Alliance Theatre, Encore Theatre at Wynn Las Vegas, People’s Light, Signature Theatre, Williamstown Theatre Festival, Vineyard, TFANA, Cherry Lane, Women’s Project, Primary Stages, INTAR, Bat Theatre Company, Rattlestick Playwrights Theater. Regional: California Shakespeare Theater (San Francisco Bay Area Theatre Critics Circle Award), Dallas Theater Center (Leon Rabin Award), many more. Film/television: two Daytime Emmy Awards for Costume Design for “All My Children.”

Lindsay Jones (Original Music and Sound Design) Broadway: Slave Play (Tony nominations for Best Original Score, Best Sound Design of a Play), The Nap, Bronx Bombers, A Time to Kill. Off Broadway: Privacy (Public Theater), Bootycandy (Playwrights Horizons), Feeding the Dragon (Primary Stages), many others. Regional: Guthrie, Center Stage, ACT, Hartford Stage, Alliance, Goodman, Arena Stage, Chicago Shakespeare, Steppenwolf, many others. International: Stratford Festival (Canada), Royal Shakespeare Company (England), many others. Audio dramas: Marvel, Audible, Next Chapter Podcasts, award-winning “The Imagine Neighborhood.” Film/television scoring: HBO Films’s A Note of Triumph (2006 Academy Award for Best Documentary, Short Subjects). Other: Co-Chair of Theatrical Sound Designers and Composers Association (TSDCA). lindsayjones.com.

Alyssa Escalante (Production Stage Manager) The Old Globe: debut. Regional: A Wicked Soul in Cherry Hill (Geffen Playhouse), Spamilton (Musical Theatre West), All’s Well That Ends Well (A Noise Within), The Bacchae (Guthrie), Lizastrata, The Bacchae, Haunted House Party, Mojada, A Medea in Los Angeles (Getty Villa), Hold These Truths (San Diego Repertory), Fireflies, M Butterfly, Photograph 51, Culture Clash (Still) in America (South Coast Repertory), A Streetcar Named Desire, Happy Days, RII (Boston Court Pasadena), Criers for Hire (East West Players). Touring: Hamilton (Eliza Tour). Education: Occidental College.