Gordon Greenberg (Co-Writer, Director) returns to The Old Globe, where he adapted and directed Working and directed The Heart of Rock & Roll. His other work includes directing the acclaimed West End revival of Guys and Dolls, starring Rebel Wilson, which received six Olivier Award nominations (Savoy Theatre, Phoenix Theatre, Chichester Festival Theatre); the Broadway stage adaptation of Irving Berlin’s Holiday Inn (also co-writer; Roundabout Theatre Company, Universal Stage Productions, PBS’s “Great Performances”); Piaf/Dietrich in Toronto (Mirvish Productions), Barnum in London (Menier Chocolate Factory); Terms of Endearment starring Alfred Molina and Calista Flockhart (Geffen Playhouse); The Secret of My Success (also co-writer; Universal Stage Productions, Paramount Theatre); Mystic Pizza (also co-writer; MGM); Dracula: A Comedy of Terrors (Chicago Shakespeare Theater, Maltz Jupiter Theatre); Jacques Brel Is Alive and Well and Living in Paris (The Zipper Factory; Drama Desk, Drama League, and Outer Critics Circle Award nominations); Working (59E59 Theaters, Broadway in Chicago; Drama Desk Award); Tangled (Disney Theatrical Productions); Pirates! (co-created with Nell Benjamin); Single Girls Guide (Ars Nova); and Meet Me in St. Louis (new book writer; The Muny 100th anniversary). Mr. Greenberg’s regional credits include Williamstown Theatre Festival, Paper Mill Playhouse, Huntington Theatre Company, Signature Theatre, Dallas Theater Center, TheatreWorks Silicon Valley, Asolo Repertory Theatre, New York Stage and Film, and Bucks County Playhouse. He has also written for Disney Channel and Nickelodeon. He trained at Stanford University, New York University, and Royal Academy of Dramatic Art.

Adam Koch (Scenic Design) designed the immersive outdoor productions of Carousel, Miss Saigon, and Titanic at Serenbe Playhouse in Atlanta. He also designed Dreamgirls in Seoul. His U.S. credits include productions at Goodspeed Musicals, Ford’s Theatre, Westport Country Playhouse, The Repertory Theatre of St. Louis, Paper Mill Playhouse, Baltimore Center Stage, Maltz Jupiter Theatre, Geva Theatre Center, Cincinnati Playhouse in the Park, Tuacahn Center for the Arts, Great Lakes Theater, Lyric Theatre of Oklahoma, Ogunquit Playhouse, Syracuse Stage, and Portland Stage. Mr. Koch was nominated for the Helen Hayes Award for Kiss of the Spider Woman (Signature Theatre) and for Bat Boy (First Stage) in Washington DC. He studied at Carnegie Mellon University. For the past six years Mr. Koch and Steven Royal have worked jointly as Adam Koch Associates. adamkochassociates.com.

Amanda Zieve (Lighting Design) is delighted to be back at The Old Globe, having previously designed Tiny Beautiful Things, Barefoot in the Park, Native Gardens, The Wanderers, and Rich Girl. She recently designed Put Your House in Order (La Jolla Playhouse), Rock of Ages (Cygnet Theatre Company), Sweeney Todd and Roof of the World (Kansas City Repertory Theatre), and Billy Elliot: The Musical and Titanic (Signature Theatre Company). Her associate credits include The Heart of Rock & Roll, Bright Star, and Allegiance (The Old Globe) and Escape to Margaritaville, Hollywood, The Hunchback of Notre Dame, and Chasing the Song (La Jolla Playhouse). She enjoys a career in both San Diego and New York City, where she had the privilege of working on her 17th Broadway production this spring. One of her most rewarding experiences has been assisting on Hamilton. She received her B.A. in Theatre from CSU Northridge. amandazieve.com.

David Huber (Dialect Coach) has worked as a dialect, voice, and text coach on over 40 Globe productions since 2014; highlights include Noura, Romeo and Juliet, The Underpants, As You Like It, What You Are, They Promised Her the Moon, The Tempest, A Thousand Splendid Suns, The Wanderers, The Importance of Being Earnest, Hamlet, Picasso at the Lapin Agile, Sense and Sensibility, Camp David, Rain, and Bright Star. He has also served as a dialect/voice coach at La Jolla Playhouse, Diversionary Theatre, and Scripps Ranch Theatre. His regional theatre acting credits include The Old Globe, Actors Theatre of Louisville, Cincinnati Playhouse in the Park, The Repertory Theatre of St. Louis, Pittsburgh Playhouse, PCPA Theaterfest, Texas Shakespeare Festival, Center REPertory Company, Lookingglass Theatre Company, Odyssey Theatre Ensemble, and Opera Pacific, among many others. Mr. Huber coaches voice, speech, and acting privately and often at several local colleges and schools, and he also works with special-needs clients. He is a graduate of the Graduate Voice Teacher Diploma Program at York University in Toronto and an M.F.A. graduate of The Old Globe and University of San Diego Shiley Graduate Theatre Program.

Anjee Nero (Production Stage Manager) has previously worked on The Old Globe’s world premiere musicals Almost Famous, Clint Black’s Looking for Christmas, The Heart of Rock & Roll, Benny & Joon, October Sky, Bright Star, Dog and Pony, Allegiance, A Room with a View, and Kingdom. Some of her additional credits include Life After; The Tempest; The Wanderers; Picasso at the Lapin Agile; Kiss Me, Kate; The Winter’s Tale; Be a Good Little Widow; and Richard O’Brien’s The Rocky Horror Show. Ms. Nero worked on the Broadway production of Bright Star and launched the first national tour. Her select La Jolla Playhouse credits include Sideways directed by Des McAnuff, Ruined directed by Liesl Tommy, A Midsummer Night’s Dream directed by Christopher Ashley, Herringbone directed by Roger Rees and starring BD Wong, and Fly directed by Jeffrey Seller (upcoming). Ms. Nero has worked with several prominent regional theatres including The Kennedy Center, Center Theatre Group, Hartford Stage, SITI Company, Huntington Theatre Company, and Berkeley Repertory Theatre, to name a few.