David Greig (Adaptor) is an award-winning playwright and, since 2016, Artistic Director of the Royal Lyceum Theatre Company, Edinburgh. His plays have been staged in the U.K. and around the world. His recent work includes The Suppliant Women (Lyceum, U.K. tour, Young Vic), Cover My Tracks (The Old Vic, Latitude Festival, U.K. tour), Charlie and the Chocolate Factory (Broadway, West End), Lanark (Citizens Theatre, Edinburgh), The Events (Traverse Theatre, Young Vic), Midsummer (Traverse Theatre, Soho Theatre, Tricycle Theatre), Dunsinane (Royal Shakespeare Company), The Strange Undoing of Prudencia Hart (National Theatre of Scotland), and Monster in the Hall and Yellow Moon (TAG Theatre Company, Glasgow).

Max Webster (Director) is an Associate Director at The Old Vic. He has directed Fanny & Alexander, Dr. Seuss’s The Lorax, and Cover My Tracks (The Old Vic), The Jungle Book (Fiery Angel), The Winter’s Tale (Royal Lyceum Theatre Edinburgh), The Twits (Curve Theatre), King Lear (Royal & Derngate in Northampton), Mary Stuart (Parco Theatre in Tokyo), Orlando, To Kill a Mockingbird, and My Young and Foolish Heart (Royal Exchange Theatre in Manchester), James and the Giant Peach and My Generation (West Yorkshire Playhouse), Twelfth Night (Regent’s Park Open Air Theatre), and Much Ado About Nothing (Shakespeare’s Globe).

Rob Howell (Scenic and Costume Design) has notably designed Groundhog Day, The Caretaker, The Master Builder, Future Conditional, A Flea in Her Ear, Inherit the Wind, Speed-the-Plow, and Complicit (The Old Vic) and The Norman Conquests (The Old Vic, Broadway). He has also worked at National Theatre, Royal Shakespeare Company, Royal Court Theatre, Almeida Theatre, Donmar Warehouse, Young Vic, Bristol Old Vic, Chichester Festival Theatre, West Yorkshire Playhouse, Royal Exchange Theatre in Manchester, Royal Opera House, Metropolitan Opera, and Broadway. He has won three Olivier Awards for Set Design, including for Matilda The Musical,for which he also won Drama Desk, Outer Critics Circle, and Tony Awards. Mr. Howell is an Associate Artist at The Old Vic.

Tom Gibbons (Sound Design) has designed Fanny & Alexander (The Old Vic), Life of Galileo, Happy Days, A Season in the Congo, and Disco Pigs (Young Vic), 1984 (West End, Broadway), A View from the Bridge (Young Vic, West End, Broadway), Mr. Burns, a post-electric play (Almeida Theatre), Hamlet and Oresteia (Almeida Theatre, West End), Hedda Gabler (National Theatre, U.K. tour), People, Places & Things (National Theatre, West End, St. Ann’s Warehouse; Olivier Award for Best Sound Design), The Red Barn and Sunset at the Villa Thalia (National Theatre), As You Like It and The White Devil (Royal Shakespeare Company), Julius Caesar and Henry IV (Donmar Warehouse, St. Ann’s Warehouse), Love, Love, Love (Royal Court Theatre), Lionboy (Complicité), Anna Karenina (Royal Exchange Theatre in Manchester), The Crucible (Broadway), and Les Misérables (Wermland Opera in Sweden).

Nick Barnes (Puppetry Co-Design) co-founded Blind Summit Theatre in 1996 and was the Co-Artistic Director for many years. He performed, designed, and directed for the company on productions including The Table, Low Life, Martin’s Wedding, 1984, and Mr. China’s Son. The company created puppetry for Madama Butterfly (English National Opera/Metropolitan Opera), Shunkin, A Dog’s Heart, and The Master and Margarita (Complicité), Faeries (Royal Opera House), and His Dark Materials (Birmingham Repertory Theatre). They also directed the puppetry for the 2012 London Olympic Games Opening Ceremony. Mr. Barnes left Blind Summit in 2013 and remains an Associate Artist. His other credits as puppetry designer/director include The Jungle Book (Fiery Angel/Northampton U.K. tour), The Little Beasts (Perfect Pitch/The Other Palace), and Mr. Popper’s Penguins (West End, Off Broadway). His work as co-puppetry designer includes Dr. Seuss’s The Lorax (The Old Vic/Mirvish Productions, Children’s Theatre Company), Angels in America (National Theatre, Broadway), and Ariodante (Aix-en-Provence Festival). He is also the co-director/co-designer of David Walliams’ The First Hippo on the Moon (U.K. tour).

Elan McMahan (Music Direction) previously worked on the Globe productions of Dr. Seuss’s How the Grinch Stole Christmas! (2011, 2013–2017), the Summer Shakespeare Festival (2012–2013), and the New Voices Festival reading of Cake Off (2015). She is the Resident Musical Director at Moonlight Stage Productions with over 50 productions to her name. She has received three San Diego Theatre Critics Circle Craig Noel Awards for Outstanding Musical Direction: in 2012, for her body of work, including Moonlight’s Sweeney Todd and Fiddler on the Roof and the Globe’s As You Like It; in 2015 for Moonlight’s Big Fish; and in 2017 for Moonlight’s In the Heights. Ms. McMahan holds a B.Mus. from Brigham Young University and an M.Mus. from St. Louis Conservatory of Music.

Stacy McIntosh (Production Stage Manager) is in her 20th season at Children’s Theatre Company, where she has managed over 70 productions. Some of her favorite credits include The Abominables; Diary of a Wimpy Kid the Musical; The Jungle Book; The Biggest Little House in the Forest; A Wrinkle in Time; A Christmas Story; Five Fingers of Funk; Bud, Not Buddy; Lizzie Bright and the Buckminster Boy; Lilly’s Purple Plastic Purse (1999); Dr. Seuss’s How the Grinch Stole Christmas!; and A Year with Frog and Toad (CTC, Broadway). She has also worked at Guthrie Theater and Illusion Theater in Minneapolis; Marin Theatre Company and Willows Theatre Company in the Bay Area; and The New Victory Theater and Cort Theatre in New York City. In addition to her theatre management, she has also stage managed the NHL Stadium Series and the pre-game event for Super Bowl LII. Mrs. McIntosh is a graduate of University of Northern Iowa and is a proud member of Actors’ Equity Association.

Chris Schweiger (Assistant Stage Manager, June 22 – July 6) is in her 16th season at Children’s Theatre Company. She has also worked in Minneapolis at Guthrie Theater, Mixed Blood Theatre, Theater Latté Da, Ragamala Dance Company, and Illusion Theater. In addition, she has worked across the country at Arena Stage, Seattle Children’s Theatre, The New Victory Theater, Alpine Theatre Project, Utah Shakespeare Festival, and Perseverance Theatre. She received her B.S. in Theatre from Northwestern University’s School of Communication and was a Peace Corps Volunteer for three years in Mongolia.

Children’s Theatre Company (Co-Producer) is the nation’s largest and most acclaimed theatre for multigenerational audiences. It creates theatre experiences that educate, challenge, and inspire for nearly 275,000 people annually. CTC is the only theatre focused on young audiences to win the coveted Tony Award for Outstanding Regional Theatre and is the only theatre in Minnesota to receive three Tony nominations (for its production of A Year with Frog and Toad). CTC is committed to producing world-class productions at the highest level, and to developing new works, more than 200 to date, dramatically changing the canon of work for young audiences. CTC’s engagement and learning programs annually serve more than 85,000 students ages 2 to 18 through Theatre Arts Training, student matinees, Bridges, and early childhood arts education programs that bring students to the theatre and bring teaching artists into the classroom. The ACT One program is CTC’s comprehensive platform for access, diversity, and inclusion in our audiences, programs, staff, and board that strives to ensure the theatre is a home for all people, all families, reflective of our community. childrenstheatre.org.