Kate Hamill (Playwright) is an actor and playwright who was named The Wall Street Journal’s Playwright of the Year in 2017. Her work includes her play Sense & Sensibility, in which she originated the role of Marianne, and which played Off Broadway for over 265 performances (Off Broadway Alliance Award; Drama League Award nomination). Her other plays include Vanity Fair, in which she originated the role of Becky Sharp (The Pearl Theatre Company; Off Broadway Alliance Award nomination), and Pride & Prejudice, in which she originated the role of Lizzy (Primary Stages, Hudson Valley Shakespeare Festival; Off Broadway Alliance Award nomination). Her plays have been produced Off Broadway and at Guthrie Theater, American Repertory Theater, Oregon Shakespeare Festival, Seattle Repertory Theatre, Dallas Theater Center, PlayMakers Repertory Company, Folger Theatre (eight Helen Hayes Award nominations), Arvada Center for the Arts and Humanities, Dorset Theatre Festival, Shakespeare Theatre Company, American Conservatory Theater, Primary Stages, Portland Center Stage, Syracuse Stage, Pittsburgh Public Theater, Kansas City Repertory Theatre, Trinity Repertory Company, and more. Hamill’s recent world premieres include Little Women (Jungle Theater) and Mansfield Park (Northlight Theatre). She is currently working on new adaptations of The Odyssey for American Repertory Theater and The Scarlet Letter, as well as several new original plays: Prostitute Play, In the Mines, Love Poem, and The Piper.

Dallas Theater Center (Co-Producer), one of the leading regional theatres in the country and the 2017 Regional Theatre Tony Award recipient, performs to an audience of more than 100,000 North Texas residents annually. Founded in 1959, Dallas Theater Center is now a resident company of the AT&T Performing Arts Center and presents its mainstage season at the Dee and Charles Wyly Theatre and at its original home, the Kalita Humphreys Theater. Dallas Theater Center is one of only two theatres in Texas that is a member of the League of Resident Theatres (LORT), the largest and most prestigious not-for-profit professional theatre association in the country. Under the leadership of Enloe/Rose Artistic Director Kevin Moriarty and Managing Director Jeffrey Woodward, Dallas Theater Center produces a season-ticket series of classics, musicals, and new plays and an annual production of A Christmas Carol; extensive education programs, including the award-winning Project Discovery and partnerships with Southern Methodist University’s Meadows School of the Arts and Booker T. Washington High School for the Performing and Visual Arts; and many community collaboration efforts with local organizations. In 2017, Dallas Theater Center launched Public Works Dallas, a groundbreaking community-engagement and participatory-theatre project designed to deliberately blur the line between professional artists and community members, culminating in an annual production featuring over 200 Dallas citizens performing a Shakespeare play. Throughout its history, Dallas Theater Center has produced many new works, including recent premieres of penny candy by Jonathan Norton; Miller, Mississippi by Boo Killebrew; Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn; Bella: An American Tall Tale by Kirsten Childs; Clarkston by Samuel D. Hunter; The Fortress of Solitude by Michael Friedman and Itamar Moses; Giant by Michael John LaChiusa and Sybille Pearson; and many more. As a member of LORT, Dallas Theater Center operates under the LORT agreement with Actors’ Equity Association, Stage Directors and Choreographers Society, and United Scenic Artists.

Moria Sine Clinton (Costume Design) has designed for the television series and films “Dickinson,” Gemini Man, “Hunters,” “The Americans,” “The Who Was? Show,” and “The Marvelous Mrs. Maisel.” Her New York theatre credits include The Public Theater, Cherry Lane Theatre, Atlantic Theater Company, The Playwrights Realm, National Asian American Theatre Company, The Juilliard School, WP Theater, and Theatre for a New Audience. Her regional credits include Dallas Theater Center, Guthrie Theater, Northern Stage, Jungle Theater, Oregon Shakespeare Festival, ZACH Theatre, Syracuse Stage, Asolo Repertory Theatre, Palm Beach Opera, La Jolla Playhouse, and Yale Repertory Theatre. She has won OPERA America’s Robert L.B. Tobin Director-Designer Showcase (2015), Ivey Awards for Jungle Theater’s Le Switch (2013) and In the Next Room, or the vibrator play (2016), Austin Critics Table Award (2014), and Leo Lerman Graduate Fellowship in Design (2009). She is a graduate of Yale School of Drama. moriaclinton.com.

Sean Healey (Sound Design) is based in Minneapolis, where his work includes many productions with Jungle Theater, Children’s Theatre Company, Open Eye Figure Theatre, Guthrie Theater, and Theater Latté Da. His other credits include The New Victory Theater, Arizona Theatre Company, Seattle Children’s Theatre, Chicago Children’s Theatre, Mark Taper Forum, Cornerstone Theater Company, and ZACH Theatre. He received his B.F.A. from California Institute of the Arts, class of 1997.

Robert Elhai (Original Music) is a composer/arranger/orchestrator based in Minneapolis, where his theatre work includes C. (Theater Latté Da), Twisted Apples (Nautilus Music-Theater), and Dirty Business (History Theatre), as well as the original production of Kate Hamill’s adaptation of Little Women. His work can be heard in the Broadway production of The Lion King, as well as Emmy, Grammy, and Academy Award–winning programs, including some 150 films, among them Crazy Rich Asians, Fences, Avengers: Age of Ultron, Across the Universe, and most of The Fast and the Furious series. robertelhai.com.

Joel Ferrell (Movement Coach) was previously Associate Artistic Director of Dallas Theater Center, where his credits include The Rocky Horror Show, Joseph and the Amazing Technicolor Dreamcoat, Cabaret, A Christmas Carol (as director and choreographer); It’s a Bird... It’s a Plane... It’s Superman, A Midsummer Night’s Dream, The Who’s Tommy, and My Fair Lady (as choreographer). Ferrell is a former Artistic Director of Casa Mañana. He has worked extensively around the country, for Portland Center Stage, Paper Mill Playhouse, Ford’s Theatre, Lyric Theatre of Oklahoma, and North Shore Music Theatre, among others.

Megan Winters (Production Stage Manager) served as the stage manager of Dallas Theater Center productions of As You Like It (Public Works Dallas), Twelfth Night, Steel Magnolias, Hairspray, The Great Society, A Christmas Carol (2015–2017), Hair, The Christians, Dreamgirls, Romeo and Juliet, Colossal, The Book Club Play, Driving Miss Daisy, Sherlock Holmes: The Final Adventure, Oedipus El Rey, Clybourne Park, Red, and Tigers Be Still. She was assistant stage manager of Hood: The Robin Hood Musical Adventure, Bella: An American Tall Tale, Fly (also New York workshop), The Elaborate Entrance of Chad Deity, and The Tempest. And she served as a production assistant for Dividing the Estate, The Trinity River Plays, and A Christmas Carol (2009). Winters worked the grand opening of the AT&T Performing Arts Center, and she has enjoyed working for Alley Theatre, Second Thought Theatre, Shakespeare Dallas, Ogunquit Playhouse, Olney Theatre Center, and The REP.