Mel Marvin (Composer) has composed Dr. Seuss’s How the Grinch Stole Christmas! and Tintypes at the Globe. His Broadway credits include Yentl, A History of the American Film, Tintypes (Tony Award nomination), Fascinating Rhythm, Dr. Seuss’s How the Grinch Stole Christmas!, and Lincoln Center Theater’sCymbeline. He has also had nine shows produced Off Broadway. His other credits include scores for many of America’s best-known regional theatres, including Arena Stage, Guthrie Theater, American Repertory Theater, La Jolla Playhouse, and Mark Taper Forum, where he was an Associate Artist and wrote the original music for the world premiere of Angels in America. Mr. Marvin’s other projects include Guest from the Future, an opera with libretto by Jonathan Levi that premiered at Fisher Center for the Arts in July 2004, and Buwalsky, an opera commissioned by Holland’s Opera Spanga that premiered in The Netherlands in August 2004 and toured the U.S. that fall. Their new opera, Truth and Reconciliation, will be performed at Manhattan’s OPERA America in January 2020. Mr. Marvin is Head Faculty Composer and Producing Director of the Graduate Musical Theatre Writing Program at New York University’s Tisch School of the Arts. Dr. Seuss’s How the Grinch Stole Christmas! is one of seven musicals for young audiences he has written for his daughter, Kate.

James Vásquez (Director, Swing, Dance Captain) is happy to be celebrating his 17th Christmas in Whoville. Previously with the Globe, he directed the West Coast premiere of Tiny Beautiful Things, the world premiere of American Mariachi, Dr. Seuss’s How the Grinch Stole Christmas!, Rich Girl, and Richard O’Brien’s The Rocky Horror Show; served as associate director for Dr. Seuss’s The Lorax; andprovided musical staging for The Comedy of Errors, Boeing-Boeing,and A Midsummer Night’s Dream, among others. With The Old Globe and University of San Diego Shiley Graduate Theatre Program, he has directed Clybourne Park, Stupid F***ing Bird, and the world premiere of Acquainted with the Night. He received the Craig Noel Award for Outstanding Direction of a Musical in 2018 for In the Heights (Moonlight Stage Productions) and in 2010 for Sweeney Todd (Cygnet Theatre Company). His other recent directing/choreography credits include In the Heights (Dallas Theater Center), American Mariachi (Denver Center for the Performing Arts Theatre Company), Dr. Seuss’s The Lorax (Children’s Theatre Company), The Addams Family and Chicago (Moonlight Stage Productions), West Side Story and Cats (San Diego Musical Theatre),the West Coast premiere of [title of show], Pippin,and Next Fall (Diversionary Theatre), and Hedwig and the Angry Inch and Pageant (Cygnet Theatre Company), as well as developmental workshops at La Jolla Playhouse and Goodspeed Musicals. Mr. Vásquez is an amateur gardener, lover of dogs, and graduate of The Juilliard School.

Bob Richard (Additional Choreography) provided the choreography for the Broadway and tour productions of Dr. Seuss’s How the Grinch Stole Christmas! for the past 13 years. Off Broadway he directed and choreographed Inventing Mary Martin: The Revue of a Lifetime (Joe A. Callaway Award nomination) and The Road to Qatar. He has directed at North Shore Music Theatre, Ordway Center for the Performing Arts, and Theatre By The Sea, including productions of Peter Pan, The Music Man, Beauty and the Beast, and Chicago, winning several awards. He has choreographed at The 5th Avenue Theatre, Theatre Under The Stars, and Pioneer Theatre Company, and internationally in Shanghai, Beijing, and Singapore. Mr. Richard’s television and film credits include “LazyTown,” “The Tonight Show,” “The Today Show,” “Macy’s Thanksgiving Day Parade,” and the Big Apple Film Festival. He is also a guest master instructor at Jacob’s Pillow Dance Festival. He has received a Footlight Award, Gypsy Rose Lee Award, Ivey Award, Ernie Award, and San Francisco Bay Area Theatre Critics Circle Award. Mr. Richard’s career has encompassed dancing, teaching master classes worldwide, directing, and choreographing for over 36 years in the world of show business. Without children and their dreams and imagination, there would be no Christmas!

John Lee Beatty (Scenic Design) has designed the Globe productions of The Underpants, Much Ado About Nothing, King Richard II, Picasso at the Lapin Agile, Love’s Labor’s Lost, Cornelia, Dancing in the Dark, and Redwood Curtain. His 115 Broadway credits include Sweat, Disgraced, The Nance, After Midnight, Good People, Venus in Fur, Other Desert Cities, Time Stands Still, The Royal Family, The Color Purple, Rabbit Hole, Doubt, Chicago, Proof, A Delicate Balance, The Heiress, The Sisters Rosensweig, The Most Happy Fella, Burn This, Ain’t Misbehavin’, Talley’s Folly, Fifth of July,and Crimes of the Heart. His Off Broadway credits include The Whipping Man, Sylvia, The Substance of Fire, A Life in the Theatre, and Lips Together, Teeth Apart, as well as 38 seasons at Manhattan Theatre Club and Circle Repertory Company, 22 seasons at City Center Encores!, film, opera, television, and circus. Mr. Beatty is the recipient of Tony, Obie, Drama Desk, and Outer Critics Circle Awards, and he is a member of the Theatre Hall of Fame. He is a graduate of Brown University and Yale School of Drama.

Pat Collins (Lighting Design) has designed Globe productions of Twelfth Night, Cymbeline,and Dr. Seuss’s How the Grinch Stole Christmas! Her Broadway credits include Orphans, Good People, Dr. Seuss’s How the Grinch Stole Christmas!, Doubt (Tony Award nomination), Sight Unseen, Proof, A Moon for the Misbegotten, A Delicate Balance, The Sisters Rosensweig, Conversations with My Father, The Heidi Chronicles, I’m Not Rappaport (Tony Award), Execution of Justice (Drama Desk Award), the original production and 1988 revival of Ain’t Misbehavin’, Once Upon a Mattress, An American Daughter,and many more. Her Lincoln Center Theater credits include Third, Ten Unknowns, Death and the King’s Horseman, The Threepenny Opera (Tony nomination), The Floating Light Bulb,and Measure for Measure. Her Off Broadway credits include The Foreigner, Doubt, Burn This, Quartermaine’s Terms, How I Got That Story,and A Life in the Theatre. Ms. Collins has designed lighting at theatres throughout the country, including Mark Taper Forum, McCarter Theatre Center, Berkeley Repertory Theatre, Seattle Repertory Theatre, Hartford Stage, Alley Theatre, Center Stage, Long Wharf Theatre, Guthrie Theater, Goodman Theatre, American Repertory Theater, and Actor’s Theatre of Louisville. She has also designed over 100 productions for opera companies throughout the world.

Anita Ruth (Orchestrator) is an orchestrator, arranger, and musical director active in the Minneapolis/St. Paul area. She has prepared over 150 musicals in the last 30 years. She was the musical director of the Chanhassen Dinner Theatres from 1968 to 1988. Since then she has been a freelance music director and orchestrator at Guthrie Theater, Children’s Theatre Company, Bloomington Civic Theatre, and Theatre Mu, among others. She has been the arranger/music director for three Shakespeare productions at the Guthrie in addition to music directing their production of A Christmas Carol for many years. In 2004 she orchestrated two operas composed by Mel Marvin: one presented in Holland and the other at Bard College.

David Krane (Dance Music Arranger) created the dance music and additional score for the Academy Award–winning Chicago and the film of Nine; created the musical score adaptation for Disney’s Into the Woods starring Meryl Streep; produced and arranged Michelle Williams’s vocals for My Week with Marilyn; and composed Aspire with Stephen Cole, the first American musical produced in the Middle East. Their musical comedy about that incredible experience, The Road to Qatar!, was produced in Dallas, New York City, and the Edinburgh Festival. It is licensed by josef-weinberger.com, and the album, produced by jayrecords.com, is available on iTunes. Mr. Krane’s many Broadway credits include Cabaret, On the Twentieth Century, and She Loves Me. His most recent credits include Disney’s Mary Poppins Returns and his own new original musical Goin’ Hollywood. Goinhollywood.com, davidkrane.com.

Jess Slocum (Production Stage Manager) has worked on over 40 productions at the Globe, including Noura, As You Like It, They Promised Her the Moon, Familiar, Dr. Seuss’s How the Grinch Stole Christmas!, The Imaginary Invalid, Picasso at the Lapin Agile, Love’s Labor’s Lost, tokyo fish story, In Your Arms, Bright Star, Othello, Water by the Spoonful, Pygmalion, A Room with a View, and Robin and the 7 Hoods. Her regional credits include Noura (Shakespeare Theatre Company), Indecent, Side Show, Ruined, The Third Story, Memphis, and Most Wanted (La Jolla Playhouse), and Post Office (Center Theatre Group). She is a graduate of Vanderbilt University and a proud member of Actors’ Equity.