Anna Ziegler (Playwright) has written the plays The Wanderers (The Old Globe’s 2017 Powers New Voices Festival); The Last Match (The Old Globe, City Theatre, Roundabout Theatre Company; Craig Noel Award nomination for Outstanding New Play); the widely produced Photograph 51, directed on the West End in 2015 by Michael Grandage and starring Nicole Kidman (WhatsOnStage Award for Best New Play); Actually (Geffen Playhouse, Williamstown Theatre Festival, Manhattan Theatre Club; Ovation Award for Playwriting for an Original Play); Boy (Keen Company/Ensemble Studio Theatre, TimeLine Theatre Company; Outer Critics Circle John Gassner Award nominee); and A Delicate Ship (The Playwrights Realm, Cincinnati Playhouse in the Park). She currently holds commissions from Roundabout Theatre Company, Second Stage Theatre, Seattle Repertory Theatre, and Empire Street Productions. Her plays have been developed at the Sundance Institute Theatre Lab, The O’Neill Theater Center’s National Playwrights Conference, Cape Cod Theatre Project, New York Stage and Film, Old Vic New Voices, and Soho Rep.’s Writer/Director Lab, among others. Her plays are published by Dramatists Play Service; a collection entitled Anna Ziegler: Plays One is published by Oberon Books. She is currently developing television shows for HBO and AMC/Sundance and a screenplay for Scott Free Productions.

Marion Williams (Scenic Design) is a New York-based scenic and costume designer working in theatre, dance, and opera. Her previous Globe credits include scenic design for Death of a Salesman. Her New York credits include Primary Stages, MCC Theater, Mint Theater Company, The Juilliard School, Limón Dance Company, Manhattan School of Music, Red Bull Theater, and Women’s Project Theater. She has designed regionally for McCarter Theatre Center, Baltimore Center Stage, Guthrie Theater, Alliance Theatre, Actors Theatre of Louisville, South Coast Repertory, PlayMakers Repertory Company, Barrington Stage Company, Triad Stage, Folger Theatre, Pittsburgh Public Theater, Round House Theatre, Louisville Ballet, Cincinnati Playhouse in the Park, Two River Theater, Cincinnati Ballet, The Shakespeare Theatre of New Jersey, and Williamstown Theatre Festival. Her international credits include Hochschule für Musik und Theater (Leipzig, Germany) and Introdans (Netherlands). She has received the Princess Grace Award and Special Projects Grant.

Amanda Zieve (Lighting Design) is delighted to be back at The Old Globe. She recently designed Sweeney Todd and Roof of the World (Kansas City Repertory Theatre) and Titanic (Signature Theatre Company). Her San Diego designs include Rich Girl (The Old Globe) and West Side Story (San Diego Musical Theatre). Her associate credits include Bright Star and Allegiance (The Old Globe) and Escape to Margaritaville, Hollywood, The Hunchback of Notre Dame, and Chasing the Song (La Jolla Playhouse). She enjoys a career in both San Diego and New York City, where she had the privilege of working on her 17th Broadway production this spring. One of her most rewarding experiences has been assisting on Hamilton. Ms. Zieve received her B.A. in Theatre from California State University, Northridge. amandazieve.com.

Jeanette Oi-Suk Yew (Projection Design) is a projection designer with extensive experience designing for new works and original adaptations for theatre, dance, opera, musicals, music performances, and installations. Her recent credits include Relevance and Informed Consent with Liesl Tommy, Aya Ogawa’s Ludic Proxy (Edith Lutyens and Norman Bel Geddes Design Enhancement Fund), Erik Ehn’s Clover, Company XIV’s Snow White, The Civilians’s Paris Commune and In the Footprint, Matthew Paul Olmos’s so go the ghosts of mexico, part one, Elizabeth Swados and Cecilia Rubino’s From the Fire (2011 MTM:UK Musical Theatre Awards for Best Production and Best New Musical), and NPR’s WATER +/- with Kenny Leon. She is also a generative artist in devising interdisciplinary productions. The New York Times described her recent project with Target Margin Theater, Act IV of The Iceman Cometh, which combined contemporary puppetry with live-feed camera and projection, as “consistently inventive”. Upcoming she has Top Girls with Liesl Tommy. She was also part of the NEA/TCG Career Development Program. jeanetteyew.com.

Caparelliotis Casting (Casting) has cast for The Old Globe for the past five seasons, including the recent productions of The Importance of Being Earnest, Picasso and the Lapin Agile, and Skeleton Crew. Their Broadway casting credits include Junk, Meteor Shower, A Doll’s House Part 2, The Front Page, Les Liaisons Dangereuses, The Glass Menagerie, Jitney, The Little Foxes, The Father, Blackbird, An Act of God, Airline Highway, Fish in the Dark, It’s Only a Play, Disgraced, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Atlantic Theater Company, Signature Theatre Company, LCT3, Ars Nova, Goodman Theatre, Steppenwolf Theatre Company, McCarter Theatre Center, and Arena Stage, among others. Their film and television credits include HairBrained with Brendan Fraser, “American Odyssey” (NBC), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).

Marie Jahelka (Assistant Stage Manager) previously worked on The Old Globe’s Powers New Voices Festival (2016–2018), Red Velvet, Dr. Seuss’s How the Grinch Stole Christmas!, Somewhere, The Last Romance, The Whipping Man, Romeo y Julieta, Back Back Back, Opus, The American Plan, In This Corner, and Oscar and the Pink Lady. Her regional credits include Hollywood, Ether Dome, Miss You Like Hell,and The Tall Girls (La Jolla Playhouse), Evita and Violet (San Diego Repertory Theatre), Dogfight, My Fair Lady, True West, Fool for Love, Spring Awakening, Company, Shakespeare’s R&J, Assassins, Mistakes Were Made, Parade, Cabaret, and Love Song (Cygnet Theatre Company), The Full Monty (San Diego Musical Theatre), miXtape (Lamb’s Players Theatre), The Amish Project (Mo`olelo Performing Arts Company), and This Wonderful Life (North Coast Repertory Theatre). She received her B.A. in Theatre Arts from University of San Diego.