Emily Rebholz (Costume Design) previously designed the Globe productions of Richard O’Brien’s The Rocky Horror Show and Six Degrees of Separation. Her Broadway credits include Indecent; Dear Evan Hansen; Oh, Hello on Broadway; If/Then; Vanya and Sonia and Masha and Spike; and Bloody Bloody Andrew Jackson. Her recent Off Broadway credits include The Robber Bridegroom (Roundabout Theatre Company), The Tempest and Into the Woods (The Public Theater/Shakespeare in the Park), Pretty Filthy (The Civilians), Our Lady of Kibeho (Signature Theatre Company), The Who & The What and Stop Hitting Yourself (Lincoln Center Theater), Your Mother’s Copy of the Kama Sutra and Mr. Burns, a post-electric play (Playwrights Horizons), and The Way We Get By, The Substance of Fire, and The Last Five Years (Second Stage Theatre). Ms. Rebholz has designed the regional productions of Another Word for Beauty (Goodman Theatre), Don Giovanni (Santa Fe Opera), La Bohème (Opera Theatre of Saint Louis), Morning Star (Cincinnati Opera), and Yardbird (Opera Philadelphia). In addition, she has designed costumes at Manhattan Theatre Club, Rattlestick Playwrights Theater, Ars Nova, Atlantic Theater Company, American Repertory Theater, and Williamstown Theatre Festival. Her upcoming productions include Lucia di Lammermoor (Santa Fe Opera). Ms. Rebholz received her M.F.A. from Yale School of Drama.

Melanie Chen (Sound Design) is a San Diego-based freelance sound designer who has designed over 70 productions in San Diego, Los Angeles, and San Francisco. This past winter, she traveled to Beijing to work on a large-scale immersive installation of Peter Pan with Broadway Asia and Randy Weiner. Her recent regional credits include #SuperShinySara (La Jolla Playhouse’s 2017 POP Tour), Awake and Sing and An Iliad (New Village Arts), Travels with My Aunt, An Illusion, Marjorie Prime, Laughter on the 23rd Floor, and The Cocktail Hour (North Coast Repertory Theatre), Well and 2.5 Minute Ride (Diversionary Theatre), Seven Guitars and King Hedley II (Cygnet Theatre Company), Our Lady of Kibeho (MOXIE Theatre), The Two Gentlemen of Verona (The Old Globe and University of San Diego Shiley Graduate Theatre Program), and Native Son (UC San Diego M.F.A. Program). Ms. Chen holds an M.F.A. in Sound Design for Theatre & Dance from UC San Diego.

Stephen Buescher (Movement) is a movement director/choreographer, actor, director, and teaching artist. He has designed movement for A Thousand Splendid Suns, Monstress, The Orphan of Zhao, Stuck Elevator, Let There Be Love, and Underneath the Lintel (American Conservatory Theater), A Midsummer Night’s Dream and Private Lives (Long Wharf Theatre), A Christmas Carol (Trinity Repertory Company), Love’s Labour’s Lost (Shakespeare Santa Cruz), and Blues for an Alabama Sky (Lorraine Hansberry Theatre). Mr. Buescher is Head of Movement in American Conservatory Theater’s M.F.A. program. For the Conservatory, he has directed The Taming of the Shrew, Black Orpheus, Romeo and Juliet, Galileo, The Island, The House of Bernarda Alba (which traveled to the Moscow Art Theatre), Can’t Pay Won’t Pay, Archangels Don’t Play Pinball, and Hotel Paradiso. He has taught physical theatre at Yale School of Drama, Brown University/Trinity Repertory Company, New York University, University of Connecticut, and University of Missouri–Kansas City. Mr. Buescher has performed nationally and internationally as a company member with the physical-based company Dell’Arte International for over a decade. He is a graduate of the Dell’Arte International School of Physical Theatre and California Institute of the Arts, and he is thrilled to be making his debut at The Old Globe working with Fiasco Theater.

Pamela Salling (Stage Manager) is happy to return to the Globe after stage managing last summer’s Love’s Labor’s Lost. She is a New York-based stage manager for theatre, dance, and opera; her select credits there include The Apple Family: Scenes from Life in the Country (That Hopey Changey Thing, Sweet and Sad, Sorry, and Regular Singing), Othello, Into the Woods, The Agony and the Ecstasy of Steve Jobs, Knickerbocker, and Neighbors (The Public Theater), De Materie and tears become...streams become... (Park Avenue Armory), Blood Knot (Signature Theatre Company), A Family for All Occasions, Thinner Than Water, and Massacre (Sing to Your Children) (Labyrinth Theater Company), and Garden of Earthly Delights (Martha Clarke). Ms. Salling also recently completed productions of How to Be a Rock Critic (ArtsEmerson) and Petrol Station (The Kennedy Center), and she works extensively with director Peter Sellars around the world, including for his productions of Lagrime di San Pietro, Kopernikus, Josephine Baker: A Portrait, The Gospel According to the Other Mary, St. Matthew Passion, Desdemona, Othello, The Winds of Destiny, A Flowering Tree, and La Passion de Simone.