Gaye Taylor Upchurch (Director) made her Globe debut in 2014 directing Laura Marks’s Bethany, and earlier this year she directed Anna Ziegler’s The Last Match. Ms. Upchurch has directed the Off Broadway productions of Nancy Harris’s Our New Girl, and Simon Stephens’s Harper Regan and Bluebird with Simon Russell Beale (Atlantic Theater Company), Bethany (Women’s Project Theater, Lucille Lortel Award nomination for Outstanding Play), and Lucy Thurber’s Stay (Rattlestick Playwrights Theater). Regionally Ms. Upchurch directed the world premieres of Clare Lizzimore’s Animal (The Studio Theatre, Helen Hayes Award nomination for Outstanding Director of a Play) and Melissa Ross’s Of Good Stock (South Coast Repertory), and at Hudson Valley Shakespeare Festival she directed An Iliad (also at West Point) and As You Like It,which she is reimagining for the Folger Theater in Washington, DC. She most recently directed Kathleen Turner in The Year of Magical Thinking at Arena Stage. Ms. Upchurch has developed new work at New Dramatists, New York Stage and Film, The Kennedy Center, Ensemble Studio Theatre, Playwrights’ Center, and SPACE on Ryder Farm. She is an alumna of the Women’s Project Theater Directors Lab, The Drama League, and the University of North Carolina School of the Arts.

David Israel Reynoso (Costume Design) is a scenic and costume designer who recently designed the Globe’s productions of tokyo fish story, Constellations, Twelfth Night, Arms and the Man, Water by the Spoonful, Time and the Conways, Double Indemnity, and Be a Good Little Widow. He also designed As You Like It for The Old Globe and University of San Diego Shiley Graduate Theatre Program. Mr. Reynoso is the Obie Award-winning costume designer of the Off Broadway hit Sleep No More (New York and Shanghai) and is also a Helen Hayes Award nominee for Healing Wars (Arena Stage). He is recognized locally for his designs of Tiger Style!, Healing Wars, The Darrell Hammond Project, Kingdom City,and the DNA New Work Series presentation of Chasing the Song (La Jolla Playhouse). His other work includes Futurity, Cabaret, The Snow Queen, Alice vs. Wonderland, Trojan Barbie, Copenhagen, No Man’s Land, Hamletmachine, Ajax in Iraq,and Abigail’s Party (American Repertory Theater), The Comedy of Errors and Othello (Commonwealth Shakespeare Company), The Woman in Black (Gloucester Stage Company), and Dead Man’s Cell Phone (The Lyric Stage Company). Mr. Reynoso is also the recipient of the San Diego Foundation’s Creative Catalyst Grant, an Elliot Norton Award, a Craig Noel Award nomination, and multiple IRNE and BroadwayWorld Award nominations. davidreynoso.com.

Ryan Rumery (Sound Design) is a musician, composer, and producer. His music is featured in the films How to Let Go of the World and Love All the Things Climate Can’t Change (2016 Sundance Film Festival, HBO, iTunes, Amazon Video), City of Gold (2015 Sundance, SXSW Film Festival, IFC Films/Sundance Selects, iTunes, Amazon Video, Hulu), Those People, Gatewood, SynchroNYCity, and And, Apart (2016 Golden Door International Film Festival). His composition “End of Day” was used in CNN’s “Death Row Stories” episode “Murder in Paris.” His recent theatrical scores include the Pulitzer Prize-winning Between Riverside and Crazy (Atlantic Theater Company, Second Stage Theatre) and Fool for Love (Broadway). Mr. Rumery was sound consultant for Sufjan Stevens’s Round-Up at the Barbican and Edinburgh International Festival. He also consulted on the Nonesuch at 50 Festival at Brooklyn Academy of Music. As an album producer and musician, he has recorded with Jacob Valenzuela (Calexico), Bo Koster (My Morning Jacket), Tom Hagerman (DeVotchKa), and Jon Rauhouse (Neko Case). Mr. Rumery co-produces and records with Nick Luca at Elliott Smith’s former studio, New Monkey, in Van Nuys, California. He often works with Craig Schumacher at WaveLab in Tucson, Arizona. He recently produced Arlo Hannigan’s forthcoming album, and two albums for Jeremy Bass: Winter Bare and New York in Spring; the title track from the latter album won the John Lennon Songwriting Award.

Caparelliotis Casting (Casting) has cast the Globe productions of Picasso at the Lapin Agile, Meteor Shower, tokyo fish story, Constellations, The Last Match, Dr. Seuss’ How the Grinch Stole Christmas!, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Rich Girl, Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter’s Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll’s House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include The Front Page, Les Liaisons Dangereuses, The Glass Menagerie (upcoming), Jitney (upcoming), The Little Foxes (upcoming), The Father, Blackbird, An Act of God, Airline Highway, Fish in the Dark, It’s Only a Play, Disgraced, The Country House, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler’s Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Atlantic Theater Company, LCT3, Ars Nova, Goodman Theatre, Steppenwolf Theatre Company, McCarter Theatre Center, Arena Stage, Second Stage Theatre (seven seasons), and Williamstown Theatre Festival (three seasons). Their recent film and television credits include HairBrained with Brendan Fraser, “American Odyssey” (NBC), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).