Kathleen Marshall (Director) Ms. Marshall’s Broadway credits include Living on Love, Nice Work If You Can Get It, Anything Goes, The Pajama Game, Wonderful Town, Grease, Little Shop of Horrors, Follies, Seussical, Kiss Me, Kate, 1776, and Swinging on a Star. Her Off Broadway and regional credits include Two Gentlemen of Verona (New York Shakespeare Festival), Saturday Night (Second Stage Theatre), My Paris (Long Wharf Theatre), Ever After (Paper Mill Playhouse), Diner (Signature Theatre Company), Living on Love (Williamstown Theatre Festival), and The Unsinkable Molly Brown (Denver Center Theatre Company). She was the Artistic Director of City Center Encores! for four seasons, where she directed and choreographed The Band Wagon, I’m Getting My Act Together and Taking It on the Road, Bells Are Ringing, Carnival, and Babes in Arms, among others. She also choreographed the musical sequences in the film My Week with Marilyn. Her television credits include Once Upon a Mattress, The Music Man (Emmy Award nomination), and “2 Broke Girls.” She has received three Tony Awards (out of nine nominations), three Drama Desk Awards, three Outer Critics Circle Awards, the Astaire Award, the George Abbott Award, the Smith College Medal (her alma mater), and the Pennsylvania Governor’s Award for the Arts, and she has been named a Distinguished Daughter of Pennsylvania. She is an Associate Artist of Roundabout Theatre Company and a member of the Executive Board of the Stage Directors and Choreographers Society. For Scott, Ella, and Nathaniel.

Michael Krass (Costume Design) returns to the Globe, having previously designed The Mask of Moriarity, Overtime, Pilgrims, Full Gallop, Interior Decoration, Breaking Up, and The School for Husbands. His work on Broadway includes Noises Off (2016 Tony Award nomination), Living on Love directed by Kathleen Marshall, Machinal (2014 Tony nomination), The Lyons, The Constant Wife (2006 Tony nomination), A View from the Bridge, Twelve Angry Men, You’re a Good Man, Charlie Brown, and many more. His Off Broadway and regional work includes the new Hadestown by Anais Mitchell and other world premieres by Simon Stephens, Edward Albee, John Guare, Kenneth Lonergan, David Rabe, Nicky Silver, Christopher Durang, and Theresa Rebeck. He is the resident designer of Eliot Feld’s Ballet Tech. He has designed opera for the Mariinsky Theatre in Saint Petersburg, Russia, and film for Campbell Scott in Hamlet. Mr. Krasstaught for 18 years at the Playwrights Horizons Theater School at New York University and two years at Brown University in their graduate program. His upcoming work in New York includes The Cherry Orchard and Heisenberg for Broadway, The Light Years for The Debate Society, and a new play by Will Eno.

Sten Severson (Sound Design) is pleased to return to The Old Globe, where he designed Macbeth, The Comedy of Errors, Twelfth Night, The Two Gentlemen of Verona, and Othello. His Broadway credits include The Motherf**ker with the Hat and The Merchant of Venice, and his West End credits include Hair. He designed the Off Broadway productions of Venice, No Place to Go, The Total Bent, and The Controversy of Valladolid, as well as the Shakespeare in the Park productions of King Lear, the musical Love’s Labour’s Lost, Twelfth Night, As You Like It, Hair, and Hamlet. His regional credits include Family Album (Oregon Shakespeare Festival), Fallaci (Berkeley Repertory Theatre), Akeelah and the Bee (Children’s Theatre Company, Arena Stage), and Diary of a Wimpy Kid (Children’s Theatre Company). Mr. Severson is a partner in Acme Sound Partners, collectively responsible for over 30 Broadway shows since 2000, and he has taught in the sound design programs at New York University’s Tisch School for the Arts and the Yale School of Drama. He is currently the Sound Director at Children’s Theatre Company in Minneapolis.

Taylor Peckham (Music Director) has previously worked on the Globe productions of Sense and Sensibility, The Winter’s Tale, Dr. Seuss’ How the Grinch Stole Christmas!, The Last Goodbye, Pygmalion, and Nobody Loves You. His other credits include the national tour of Jersey Boys and regional productions of Yoshimi Battles the Pink Robots (La Jolla Playhouse), Young Frankenstein (Moonlight Stage Productions), RESPECT: A Musical Celebration of Women (Herberger Theater Center, Phoenix), A Midsummer Night’s Dream, the Musical (Intrepid Shakespeare Company), Cinderella (African-American Shakespeare Company), Oz, West Side Story, The Music Man, An American Christmas, Festival of Christmas, miXtape, Guys and Dolls, and Joe vs The Volcano...the Musical (Lamb’s Players Theatre), Little Shop of Horrors (Cygnet Theatre Company), and Xanadu (New Conservatory Theatre Center, San Francisco).

Jim Carnahan, CSA (Casting) has cast the Globe’s productions of Macbeth, Twelfth Night, and The Comedy of Errors. He is the Director of Artistic Development at Roundabout Theatre Company, where his credits include Long Day’s Journey Into Night, She Loves Me, Noises Off, Thérèse Raquin, Old Times, On the Twentieth Century, The Real Thing, Cabaret, Violet, Machinal, The Winslow Boy, The Mystery of Edwin Drood, Cyrano de Bergerac, Harvey, Anything Goes, The Importance of Being Earnest, Mrs. Warren’s Profession, Sunday in the Park with George, The Pajama Game, 12 Angry Men, Assassins, Nine, and Big River. His other Broadway credits include Fun Home, Constellations, The River, You Can’t Take It With You, Rocky, The Glass Menagerie, Once, Matilda, Peter and the Starcatcher, The Mountaintop, On a Clear Day You Can See Forever, Jerusalem, Arcadia, The Scottsboro Boys, American Idiot, A Behanding in Spokane, The Seagull, Boeing-Boeing, Spring Awakening, The Pillowman, Gypsy, and True West. His film credits include A Home at the End of the World and Flicka, and his television credits include “Glee” (Emmy Award nomination).

Jess Slocum (Assistant Stage Manager) previously worked at The Old Globe on tokyo fish story, The Metromaniacs, In Your Arms, Twelfth Night, Buyer & Cellar, Bright Star, Othello, Water by the Spoonful, The Winter’s Tale, A Doll’s House, Pygmalion, A Room with a View, Richard O’Brien’s The Rocky Horror Show, the 2011-2013 Shakespeare Festivals, Rafta, Rafta…, Robin and the 7 Hoods, Alive and Well, Sammy, Cornelia, Since Africa, Dr. Seuss’ How the Grinch Stole Christmas!,and The Glass Menagerie. Her Broadway credits include In the Heights. Her regional credits include Indecent, Side Show, Ruined, The Third Story, Memphis,and Most Wanted (La Jolla Playhouse) and Post Office (Center Theatre Group). Her San Diego credits include Mo`olelo Performing Arts Company, North Coast Repertory Theatre, and Lamb’s Players Theatre. She is a graduate of Vanderbilt University. Proud member of Actors’ Equity.