Cast
Bernard
Rob Breckenridge
has been seen in several productions in New York including The 39 Steps, Edward the Second, 33 Variations (Workshop), Geneva, R.U.R., The Rivals, Long Island Sound, Tooth, RIO, Far and Wide, Hope II and The Phantom Tollbooth. Breckenridge’s regional credits include Life x 3, Private Lives, Sister Carrie, An Ideal Husband, Sylvia, A Map of the World and The Strange Case of Dr. Jekyll and Mr. Hyde. His film and television credits include Delirious, Helen at Risk, Solo Una Mujer, “Guiding Light,“ “Law and Order: Criminal Intent,“ “Fuego Verde“ and “Padres e Hijos.” Mr. Breckenridge worked as an actor, teacher, director and Senior Fulbright Scholar in Colombia, South America during the 1990’s.
Gabriella
Stephanie Fieger
appeared previously at the Globe in Measure for Measure and The Two Gentlemen of Verona. Her Off Broadway credits include Macbeth (The Public Theater); A Doll’s House, The Bear and The Proposal (The Infinite Theatre); A Perfect Wedding (NYU); and various works with the Tectonic Theatre Project. Ms. Fieger’s regional credits include A View of the Harbor (Merrimack Repertory Theatre); Saint Joan and Peter Pan (Barter Theatre); The Winter’s Tale (Shakespeare on the Sound); and All in the Timing and A Midsummer Night’s Dream (Hedgerow Theatre). Her film credits include Close, but No Cigar. Numerous past, present, and future collaborations with Benjamin Endsley Klein. Ms. Fieger received her MFA from NYU’s Graduate Acting Program and is a proud AEA member
Gretchen
Caralyn Kozlowski
is thrilled to return to The Old Globe, having played here as Amanda in Amy Freed's Restoration Comedy. She appeared most recently on the West Coast in the premiere of Amy Freed’s You, Nero (South Coast Repertory). Her New York credits include Flygirls, Mrs. Warren's Profession, Secrets of a Soccer Mom, Fair Game, Murdering Marlowe The Milliner and The Odyssey. In eight seasons with the Shakespeare Theatre of New Jersey, favorites have included Amanda in Private Lives, Ilona in The Play’s the Thing, Gwendolen in The Importance of Being Earnest, Desdemona in Othello, Olivia in Twelfth Night, and Irina in Three Sisters. Ms. Kozlowski’s other theatre credits include Rosalind in As You Like It (Connecticut Repertory Theatre), Mac in Three Viewings and Evelyn in The Shape of Things (Barrington Stage Company). Her film and television credits include “Law & Order,” “Numbers,” “Six Degrees,” “Law & Order: SVU”, “Guiding Light,” “All My Children,” Practical Magic, and “Third Watch.” She holds a BFA from SUNY-Purchase.
Berthe
Nancy Robinette
recently appeared in The Savannah Disputation at The Old Globe. She has been seen Off Broadway in The Trestle at Pope Lick Creek, Give Me Your Answer, Do! and Finally Flannery. Her recent regional credits include The Solid Gold Cadillac, Death of a Salesman, The Rivals, Souvenir, The Imaginary Invalid, The Silent Woman, Beauty Queen of Leenane, The Diary of Anne Frank, Twelfth Night, Philadelphia, Here I Come!, Well, Body of Water, Escape from Happiness, Wonder of the World, Fat Men in Skirts, Ivanov, The Little Foxes, Mother Courage and her Children, Frozen, Henry IV and Lady Windermere's Fan. Ms. Robinette’s film and television credits include Serial Mom, Soldier Jack, “The Hunley” and “The Day Lincoln Was Shot.” She has received numerous awards including Helen Hayes Awards, Will Award for Classical Acting and Fox Fellowship. Ms. Robinette is an Affiliate Artist at Arena Stage and the Shakespeare Theatre Company, Company Member at Woolly Mammoth Theatre Company and a New York Theatre Workshop Usual Suspect.
Gloria
Liv Rooth
is pleased to make her Old Globe debut in Boeing Boeing. Her Broadway credits include Mark Twain’s Is He Dead? and Off Broadway credits include Jane Eyre and Love, Shakespeare (The Acting Company); Women Beware Women (Red Bull Theater); A Doll’s House (NYU Graduate Acting Alumni Studio); NY Premiere of Chuck Mee’s A Perfect Wedding (NYU Grad Acting); The Obstruction Plays (Slant Theater Project, plays by Lisa Kron and Dan O’Brien); Still Life/Café Coward (Abingdon Theatre Company) and 365 Plays (The Public Theater). Ms. Rooth’s regional credits include Noises Off (Hartford Stage); Pride and Prejudice (Geva Theater) and Much Ado About Nothing (Pennsylvania Shakespeare Festival). Her film and television credits include “The Good Wife” and iChannel. Ms. Rooth received her MFA from NYU Graduate Acting and her B.A. from Dartmouth College. She was the recipient of the Marcia Gay Harden Scholarship
Robert
Joseph Urla
has appeared in the Off Broadway production of In the Daylight, as Petruchio in Mark Lamos' acclaimed all-male production of The Taming of the Shrew, Martin Merkheim in Search and Destroy and Heaven (Yale Repertory Theatre), Dr. Stockman in Enemy of the People (Shakespeare Theatre Company, Helen Hayes Award nomination), George Antheil in Frequency, Hopping Living Out (Second Stage Theatre), Iago in Othello (Shakespeare Festival/LA), Principia Scriptoriae (Manhattan Theatre Club), Prince Hal in Henry IV directed by Austin Pendleton (Williamstown Theatre Festival), The Boys Next Door (Broadway) and leading roles at Mark Taper Forum, La Jolla Playhouse, Actors Theatre of Louisville, New York Shakespeare Festival, New York Stage and Film and 11 seasons at the National Playwrights Conference. His film credits include Che (directed by Steven Soderbergh), Acting for the Camera (2009 Sundance Festival), Four Single Fathers, also starring Alessandro Gassman, Disclosure, Deep Impact, Wedding Bell Blues, Strange Days (directed by Katherine Bigelow) and Indictment (HBO). Mr. Urla was a series regular on “Delta” and “H.E.L.P.” and had recurring roles on “Seinfeld” and “The Wire.” Other television credits include “Law & Order” and “Law & Order: Criminal Intent.” He is the recipient of a Theatre World Award and a graduate of the Yale School of Drama.
Team
Director
Mark Schneider
was the associate director on Matthew Warchus’ 2008 Tony winner for Best Revival, Boeing-Boeing, and in the fall of 2008, directed its UK tour. He was also the Associate Director for Warchus’ Tony-winning revival of Alan Ayckbourn’s The Norman Conquests. Since 2003, Schneider has worked extensively with director Doug Hughes. Memorable collaborations include John Patrick Shanley’s Pulitzer Prize and Tony Award-winning, Doubt, the New York premiere of Theresa Rebeck's Mauritius, the Tony-nominated revival of Inherit The Wind starring Christopher Plummer and Brian Dennehy and A Touch of the Poet starring Gabriel Byrne. Other New York associate directing credits include Conor McPherson's The Seafarer, directed by McPherson, Jason Robert Brown’s teen musical, 13, and a new musical, Departure Lounge, directed by Christopher Gattelli. Regionally, Mr. Schneider has assisted directors Michael Kahn, Edwin Sherin and Blanka Zizka, among others. He has held administrative posts at The Shakespeare Theatre Company in Washington, D.C., The Hangar Theatre in Ithaca, NY and Philadelphia’s Wilma Theater and currently serves as a resident director of Billy Elliot on Broadway. He is a Drama League Directing Fellow, member of the Lincoln Center Directors Lab and a proud graduate of The College of the Holy Cross.
Scenic Design
Rob Howell
has worked extensively in the theatre and opera within the UK and abroad including working at The Royal Court, The Almeida, The Donmar Warehouse, The Royal National Theatre, The Royal Shakespeare Company, Welsh National Opera, The Royal Opera House and The Metropolitan Opera. He received the 2000 Olivier Award for Best Set Designer for Troilus and Cressida, Vassa and Richard III. He was nominated for Best Costume Design in the same year for Troilus and Cressida and Money and for Best Set Designer in 1995 for The Glass Menagerie, Chips with Everything in 1997 and The Caretaker in 2001. Our House won the 2003 Olivier Award for Best Musical. In 2006, Mr. Howell received an Olivier Award for Best Set Design for Hedda Gabler as well as being nominated for Best Costume Design for the same production. For Lord of the Rings in Toronto, Mr. Howell received a 2006 Dora Award for Outstanding Costume Design as well as a nomination for Outstanding Set Design. He was nominated for Best Costume Design of a Play in the 2008 Tony Awards for Boeing-Boeing on Broadway, Best Costumes Design at the 2009 Olivier Awards for The Norman Conquests and was nominated for Best Set Design for The Norman Conquests on Broadway in the 2009 Tony Awards.
Lighting Design
Chris Rynne
has designed several shows for The Old Globe including Boeing-Boeing, I Do! I Do!, Sheryl and Harvey White Theatre Opening Gala, The Price, Sight Unseen, The American Plan, Who’s Afraid of Virginia Woolf?, Two Trains Running, Lincolnesque (San Diego Critics Circle Award), Pig Farm, Trying, Vincent in Brixton (San Diego Critics Circle Award), The Lady with All the Answers, The Food Chain, Two Sisters and a Piano, Blue/Orange, Time Flies, Knowing Cairo, Beyond Therapy, The Santaland Diaries and was the Associate Lighting Designer for Dr. Seuss’ How the Grinch Stole Christmas! Mr. Rynne has also designed productions for The Old Globe/USD Professional Actor Training Program including A Midsummer Night’s Dream, Much Ado About Nothing, Twelfth Night, All in the Timing, The Winter’s Tale, The Two Gentlemen of Verona, Macbeth and Getting Married. His other credits include San Diego Opera, South Coast Repertory Theatre, Madison Opera, Pasadena Playhouse, San Diego Repertory Theatre, Cygnet Theatre, North Coast Repertory Theatre, Houston Grand Opera, Diversionary Theatre and Starlight Theatre.
Sound Design
Paul Peterson
has designed over 85 productions at The Old Globe, including The Last Romance, Alive and Well, Lost in Yonkers, I Do! I Do!, The Savannah Disputation, The Mystery of Irma Vep, Cornelia, The Price, Kingdom, Six Degrees of Separation, Since Africa, The Women, Sight Unseen, The Pleasure of His Company, Dr. Seuss’ How the Grinch Stole Christmas!, Bell, Book and Candle, Who’s Afraid of Virginia Woolf?, Two Trains Running, Hold Please, Restoration Comedy, Pig Farm, The Sisters Rosensweig, Trying, Moonlight and Magnolias, Vincent in Brixton, I Just Stopped By to See the Man, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty, The Boswell Sisters and Crumbs from the Table of Joy. His regional credits include Milwaukee Repertory Theater, San Jose Repertory Theatre, CENTERSTAGE, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), Mo’olelo Performing Arts Company, The Wilma Theater, L.A. Theatre Works, San Diego Repertory Theatre, Florida Studio Theatre, Lorraine Hansberry Theatre, North Coast Repertory Theatre, Diversionary Theatre, Cape Fear Regional Theatre, Hope Summer Repertory Theatre, Malashock Dance Company, University of San Diego, San Diego State University and the Freud Theatre at UCLA. He received his BFA in Drama with an emphasis in Technical Design from San Diego State University.
Stage Manager
Daniel S. Rosokoff
has stage managed several shows at The Old Globe including Working, Dancing in the Dark and Dirty Rotten Scoundrels. His Broadway credits include Dirty Rotten Scoundrels, Dr. Seuss' How the Grinch Stole Christmas!, By Jeeves (by Alan Ayckbourn and Andrew Lloyd Webber) and Swinging on a Star. His Off Broadway credits include Mr. Goldwyn starring Alan King and touring credits include Dirty Rotten Scoundrels, The Full Monty, Barry Manilow's Copacabana, Jolson: The Musical and Joseph and the Amazing Techincolor Dreamcoat. His regional credits include productions at Goodspeed Musicals, Long Wharf Theatre, The Old Globe, Kennedy Center, Shakespeare Theatre Company, Geffen Playhouse, Pittsburgh Public and Pittsburgh Civic Light Opera. Mr. Rosokoff is a proud member of Actors' Equity Association.
Assistant Stage Manager
Annette Yé
recently was the Assistant Stage Manager for Dr. Seuss’ How The Grinch Stole Christmas! and her other Globe credits include The First Wives Club, Opus, 2008 Summer Shakespeare Festival, Dancing in the Dark and Hay Fever. Ms. Yé’s regional credits include Peter and the Starcatchers, Tobacco Road and Salsalandia (La Jolla Playhouse). Her other credits include Honky Tonk Angels, Baby and No Way to Treat a Lady (North Coast Repertory Theatre); Forbidden Broadway: SVU (Theatre in Old Town); A Chorus Line, How to Succeed in Business Without Really Trying, The Roar of the Greasepaint - The Smell of the Crowd, Me and My Girl, Company, Forever Plaid, I Love You, You're Perfect, Now Change, The Sound of Music and 1776 (Starlight Musical Theatre).
