Timothy Mason (Book and Lyrics) has been represented at the Globe and on Broadway with the musical Dr. Seuss’ How the Grinch Stole Christmas! His other theatre credits include Levitation, Only You, Babylon Gardens with Timothy Hutton and Mary-Louise Parker, and The Fiery Furnace starring Julie Harris (Circle Repertory Company), his six-play The Young Americans Cycle (comprised of Ascension Day, The Less Than Human Club, Time on Fire, Mullen’s Alley, My Life in the Silents, and The Life to Come)(American Conservatory Theater’s Young Conservatory in San Francisco), Cannibals (Naked Eye Theatre), Six (Guthrie Theater Lab), Actors Theatre of Louisville, South Coast Repertory, Seattle Repertory Theatre, Victory Gardens Theater, the Jungle Theatre in Minneapolis, and the Royal National Theatre, London. Mr. Mason created many plays for young audiences at the Children’s Theatre Company in Minneapolis, including musicals in collaboration with Mel Marvin, and the first Dr. Seuss musical, The 500 Hats of Bartholomew Cubbins with composer Hiram Titus. Mr. Mason’s novel for middle-school kids, The Last Synapsid, was published by Random House. His new historical thriller for adults, The Chorister, will soon be published by Algonquin Books.

Jack O’Brien (Conceived and Directed Original Production, Artistic Director Emeritus) served as the Artistic Director of The Old Globe from 1981 through 2007. Mr. O’Brien most recently directed the Broadway revival of The Front Page, Great Scott at San Diego Opera, and the national tour of The Sound of Music. He also directed the 2014 Broadway revival of It’s Only a Play starring F. Murray Abraham, Matthew Broderick, Nathan Lane, Stockard Channing, and Megan Mullally. His Broadway credits also include: Macbeth with Ethan Hawke, The Nance, Dead Accounts, Catch Me If You Can, Impressionism, The Coast of Utopia (Tony Award), Dr. Seuss’ How the Grinch Stole Christmas!, Dirty Rotten Scoundrels (Tony nomination), Henry IV (Tony Award), Hairspray (Tony Award), Imaginary Friends, The Invention of Love (Tony nomination, Drama Desk Award), The Full Monty (Tony nomination), More to Love, Getting Away with Murder, Pride’s Crossing, The Little Foxes, Hapgood (Lucille Lortel Award, Best Director), Damn Yankees, Two Shakespearean Actors (Tony nomination), Porgy and Bess (Tony Award). Metropolitan Opera: II Trittico. London: Love Never Dies, Hairspray (Olivier nomination). National Theatre: His Girl Friday. Six movies for PBS’s “American Playhouse.” Awards: 2008 Theatre Hall of Fame Inductee, 2005 John Houseman Award, ArtServe Michigan 2008 International Achievement Award, Honorary Doctorate, University of Michigan. Honorary Doctor of Humane Letters, University of San Diego. Film (actor): Sex and the City 2. Jack Be Nimble: The Accidental Education of an Unintentional Director, his memoir about the early years of his career, was released in the summer of 2013 by Farrar, Straus and Giroux.

John DeLuca (Original Choreography) Film: Into the Woods, Pirates of the Caribbean: On Stranger Tides, Nine, Memoirs of a Geisha, Chicago, The Terminal. TV: “Tony Bennett: An American Classic,” “75th Annual Academy Awards,” “Kennedy Center Honors.” Broadway/New York theatre: Minnelli on Minnelli, Broadway Sings Elton John, Deborah Voight on Broadway, Sweet Adeline (City Center Encores!), Two Gentlemen of Verona (The Public Theater). National tour: The Boy Friend, Chita & All That Jazz, Music of the Night, Brigadoon. American Stage Company: Oedipus Private Eye, Lucky Guy, The Gig. Two Emmy Awards, two Golden Globe nominations, American Musical Theatre Award, Choreography Media Honors, American Choreography Award, and Hamilton Behind the Camera Award. Currently producing Mary Poppins Returns (2018).

Elan McMahan (Musical Director) has previously worked on the Globe productions of Dr. Seuss’ How the Grinch Stole Christmas! (2011, 2013-2016), Shakespeare Festival (2012, 2013), and the New Voices Festival reading of Cake Off (2015). She is the Resident Musical Director at Moonlight Stage Productions with over 50 productions, most recently Titanic, Big Fish, Catch Me If You Can, The Music Man, My Fair Lady, and Sondheim on Sondheim. She has received two San Diego Theatre Critics Circle Craig Noel Awards for Outstanding Musical Direction: in 2012 (for her body of work, including Moonlight’s Sweeney Todd and Fiddler on the Roof and the Globe’s As You Like It)and 2015 (Moonlight’s Big Fish). Ms. McMahan holds a B.Mus. from Brigham Young University and an M.Mus. from St. Louis Conservatory of Music.

Robert Morgan (Costume Design) has designed the Broadway productions of Dr. Seuss’ How the Grinch Stole Christmas!, The Full Monty, Imaginary Friends, I’m Not Rappaport,and Sherlock’s Last Case. His Off Broadway credits include Pride’s Crossing and Saturn Returns (Lincoln Center Theater) and The Loves of Anatol (Circle in the Square Theatre). His television credits include “American Playhouse,” The Skin of Our Teeth,and A Christmas Carol. He has designed internationally for the West End and Maria Theresa’s Schönbrunn Palace Theater in Vienna. His regional credits include The Old Globe (Associate Artist), Ahmanson Theatre, American Conservatory Theater, American Players Theatre, The Denver Center for the Performing Arts, Guthrie Theater, Huntington Theatre Company, The John F. Kennedy Center for the Performing Arts, McCarter Theatre Center, Milwaukee Repertory Theatre, Oregon Shakespeare Festival, Portland Center Stage, Seattle Repertory Theatre, Studio Arena Theater, and Williamstown Theatre Festival. He has received two Drama Desk Award nominations and 12 Drama-Logue Awards, and he has exhibited at Prague Quadrennial. He is the former Director of Boston University’s Theatre Arts Division, School for the Arts.

Paul Peterson (Sound Design) has designed over 100 productions at The Old Globe, including Other Desert Cities, The Brothers Size, God of Carnage, Nobody Loves You, Odyssey, Engaging Shaw, Life of Riley, Plaid Tidings – A Special Holiday Edition of Forever Plaid, Welcome to Arroyo’s, Brighton Beach Memoirs, Broadway Bound, The Last Romance, Lost in Yonkers, I Do! I Do!, The Mystery of Irma Vep, Kingdom, Six Degrees of Separation, The Women, Dr. Seuss’ How the Grinch Stole Christmas!, Bell, Book and Candle, Two Trains Running, Hold Please, Restoration Comedy, Pig Farm, Moonlight and Magnolias, Vincent in Brixton, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty, The Boswell Sisters, Crumbs from the Table of Joy, and many more. His regional credits include designs for Milwaukee Repertory Theater, San Jose Repertory Theatre, Center Stage, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), Mo`olelo Performing Arts Company, San Diego Repertory Theatre, North Coast Repertory Theatre, Diversionary Theatre, TheatreWorks Silicon Valley, Malashock Dance, University of San Diego, San Diego State University, and UCLA. Mr. Peterson received his B.F.A. in Drama with an emphasis in Technical Design from San Diego State University.

Joshua Rosenblum (Vocal Arrangements and Incidental Music) has conducted 13 Broadway and Off Broadway shows, specializing in flying vehicles (Miss Saigon, Chitty Chitty Bang Bang,and Dr. Seuss’ How the Grinch Stole Christmas!). He is the composer-lyricist of the Off Broadway smash hit revue Bush is Bad as well as the musicals Fermat’s Last Tango, Einstein’s Dreams, Garbo and Me, and Mark Felt, Superstar. As a pianist, he has appeared with The New York Pops at Carnegie Hall, the Encores! series at New York City Center, and in solo recitals at Symphony Space. He is a faculty member of the Yale University Department of Music and a contributing writer for Opera News. Mr. Rosenblum is the founder and music director of the Pit Stop Players and the recipient of a grant from Signature Theatre in Washington, DC, as part of the American Musical Voices Project. rosenblummusic.com.

Caparelliotis Casting (Casting) has cast the Globe productions of Meteor Shower, tokyo fish story, Constellations, The Last Match, Dr. Seuss’ How the Grinch Stole Christmas!, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Rich Girl, Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter’s Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll’s House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include The Front Page, Les Liaisons Dangereuses, The Glass Menagerie (upcoming), Jitney (upcoming), The Little Foxes (upcoming), The Father, Blackbird, An Act of God, Airline Highway, Fish in the Dark, It’s Only a Play, Disgraced, The Country House, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler’s Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Second Stage Theatre, Atlantic Theater Company, LCT3, Ars Nova, Goodman Theatre, McCarter Theatre Center, Arena Stage, and three seasons with Williamstown Theatre Festival. Their recent film and television credits include HairBrained with Brendan Fraser, “American Odyssey” (NBC), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).

Amanda Salmons (Assistant Stage Manager) has previously worked at The Old Globe on October Sky, Macbeth, Rain, The Metromaniacs, Kiss Me, Kate, The White Snake, The Two Gentlemen of Verona, Vanya and Sonia and Masha and Spike, The Last Goodbye, Globe for All (2014-2015), the Summer Shakespeare Festival (2011-2013), Somewhere, Lost in Yonkers, I Do! I Do!, and The Price. Her other credits include Blueprints to Freedom: An Ode to Bayard Rustin (La Jolla Playhouse), Kiss Me, Kate (Hartford Stage), The Foreigner, miXtape, See How They Run, The Music Man,and The Rivalry (Lamb’s Players Theatre), The Gondoliers, The Pirates of Penzance, Candide, and Trial by Jury (Lyric Opera San Diego), and SummerFest (La Jolla Music Society). Ms. Salmons holds a B.A. in Theatre from UC San Diego.